Marije Vogelzang
Marije Vogelzang

Marije Vogelzang is a pioneer in the field of eating design. After graduating from the Design Academy in Eindhoven in 2000, Vogelzang was determined to move beyond traditional food styling and create a new direction in the field of design. She developed her vision to create designs based on the verb “to eat” and became an “eating designer.” She started a catering business (now a restaurant, called Proef) in 2004 in Rotterdam and expanded to Amsterdam in 2006.
In 2010 she started Studio Marije Vogelzang, a small firm that works with the food industry to create eating-based art installations, designs and develops restaurant concepts, long-term medical projects for hospitals and various social projects for clients around the world. Vogelzang frequently lectures internationally about her work and vision, showing the potential of a new approach to the act of eating and a new approach to design.
Sharing dinner
Sharing dinner
In 2005 I was asked by Droog Design in the Netherlands to do a Christmas dinner. My initial thought was that a Christmas dinner is full of clichés. How can you design something that’s already fully designed? But in thinking of Christmas as a time when people eat together, I decided to create a simple “intervention.” I used a table with a tablecloth, but instead of putting the cloth on the table, I made slits in it and suspended it in the air, so that the participants sat with their heads inside the space and their bodies outside. This physically connects each person: If I pull on the cloth here, you can feel it there. Covering everyone’s clothing also created a sense of equality. Initially I was concerned that people would reject the experience, particularly because the participants didn’t know each other beforehand, but it actually increased their desire to relate to one another, and brought about a feeling of being in something together.
The food was also part of the project. One person was served a slice of melon on a plate that was cut in two; the person opposite her was given ham on a similar plate. The combination was so classic that, without even being told to do so, the participants naturally began to share their food. We recreated this experience in Tokyo in 2008 (You can see the pictures here). People were very formal when they entered the lunch, but once they were inside the tablecloth they became as playful as children. Because I didn’t want to close people up in my design, everyone was given scissors and could cut themselves free at any time. Allowing participants to remove themselves from the design actually includes them in it, in a different way.




