As a child, Mullen was fascinated by constructed space. This fascination, in combination with Lego, became the playground for his imagination.
Melissa Loop uses her travels as a subject to explore notions of how we form assumptions about authenticity, place, and spirituality through our explorations and ill-informed ideas of other cultures.
In a world now saturated with the “Hi-Tech”, Ferris McGuinty’s work instead subverts this approach, and calls upon the use of humble materials like stone, wire or wood.
Design isn´t self-contained materiality – it is cosmos.
Oswalt seeks to juxtapose spontaneity with restraint, dynamic with static, until reaching a harmonious form, largely worked over, yet clear in its intention to never show it.
Apart from finding and photographing the right moments and places Michel Lamoller is challenged by the right balance in ‘melting’ the figures with the environment, to make it subtle and intense at the same time.
Ryan Coleman’s work intertwines elements of animation imagery with abstract expressionist painting.
Opheim navigates the unruly thicket of themes blending childhood with adulthood – concepts that we ordinarily prefer to keep separate – to unsettling effects.
Alison Blickle paints sensual, wild women as her own fearless alter-ego.
The work of Kozlovsky and Sharapova is characterized by a remarkable fusion of seemingly discordant elements.